Velvet Revolution
(2005)
Regisseur:
Oleg StepchenkoSchauspieler:
Aleksei Kravchenko, Aleksandr Karpov, Aleksei Petrukhin, Mikhail Gorevoy, Viktoriya Tolstoganova, Vasiliy Livanov, Arnis Licitis, Oleg Taktarov, Igor Jijikine, Oskar Kuchera, Yuri Kolokolnikov, Michael MadsenPolizeimajor Vershinin aus Moskau soll in großem Stile einen Zugriff auf Drogengangster im Fußballstadion versemmelt haben, Dutzende Tote in unvorteilhaften Live-Bildern sind die Folge. Weil er aber um einen geheimnisvollen McGuffin weiß, hinter dem sowohl mächtige Kriminelle als auch kriminelle Mächtige aus den eigenen Reihen her sind, darf er jetzt noch nicht sofort erledigt werden. Vershinin nutzt die Zeit, sich mit einem verhassten Streberkollegen zusammen zu raufen, und geht zum Gegenangriff über.
Events of the film take place in both hemispheres. Presidents of countries, bosses of drug cartels, special agents and powerful secret service agencies from all around the world are the first hand participants of its events. The film begins with an account of a shocking yet quite ordinary skirmish - an average drug kin pin is beating one of his assistants with a golf club with a purpose of educating him, because the assistant's cell phone was quite unlawfully confiscated by an overly diligent secret service agent. The mutilated gangster understands the incommensurability of his guilt and the level of his fault, and becomes the first character who asks the question: What do we know about the world we live in?
Events of the film take place in both hemispheres. Presidents of countries, bosses of drug cartels, special agents and powerful secret service agencies from all around the world are the first hand participants of its events. The film begins with an account of a shocking yet quite ordinary skirmish - an average drug kin pin is beating one of his assistants with a golf club with a purpose of educating him, because the assistant's cell phone was quite unlawfully confiscated by an overly diligent secret service agent. The mutilated gangster understands the incommensurability of his guilt and the level of his fault, and becomes the first character who asks the question: What do we know about the world we live in?
